Arabic Literature

Abstract Image is the most operative and commonly used term in the field of literary criticism which has been in use since along time ago and became much favorite and accepted during the new renaissance criticism in the literature of western world.
Two terms of icon and Iconography, at present and in the field of literary criticism , are much commonly used. Icon or image considers as one of the main bases of the richness of literature records and as much as the icons are more dynamic the literature text considers more valuable.
The poem of the Andelos poets due to embracing much live and dynamic icons takes a high position and prepares a much more touching context for the readers.
The poets of Andelos by applying the various forms of imagination and unique literature techniques such as simile and metaphor and also harmonious colors with the context, have successfully been able to create live and dynamic icons catching entirely the attention of the readers.

Abstract Al-Fawaed-Uz-Ziya'iya" is a great book written by the Abdar-Rahmān Jāmī, the Iranian poet of the fifteenth century. Jāmī has written this book as an explanation to the Al-kafiya of Ibnal-Hajib. This is one of the classical works written on the Arabic grammar or Nahw. This book has been called "Al-Fawaed-Uz-Ziya'iya" since Jāmī has written it for his son, Ziya-od-Din Yusuf. Jāmī had great knowledge in Arabic language and especially in the Nahv. He has taken an impartial view in the explanation of the book. He has not only been reciting the grammarians' viewpoints but also he has expressed his own opinion in grammar rules. He has never refused Ibnal-Hajib’s opinions straightly, but he has tried to present the other opposite grammarians' viewpoints in this regard. This paper addresses and analyzes Jāmī’s viewpoints in this book and come to this conclusion that Jāmī was among the followers of the al-Basrah school in Nahw.