The Manifestation of the Implied Reader in “The Wine Ode” and “The Music of Poetry”: A Study of Ibn al-Farid and al-A’sha’s Anacreontic Verses
The Manifestation of the Implied Reader in “The Wine Ode” and “The Music of Poetry”: A Study of Ibn al-Farid and al-A’sha’s Anacreontic Verses

Abass Taleb Zadeh Shoushtari; Saideh Momayezi

Volume 11, Issue 2 , October 2019, , Pages 87-107

https://doi.org/10.22059/jalit.2019.213487.611525

Abstract
  Reader-response theories, as a modern type of criticism, open new horizons of aesthetics of literary texts to us. Emphasizing the role and importance of the audience, these theories ...  Read More
A Study of Contemporary Arab Critics’ Views on Signification of Meaning in Poetry
A Study of Contemporary Arab Critics’ Views on Signification of Meaning in Poetry

Abolhasan Amin moghaddasi; farzaneh Ajorloo

Volume 11, Issue 2 , October 2019, , Pages 295-314

https://doi.org/10.22059/jalit.2019.253415.611871

Abstract
  The signification of meaning by terms in poetry, in a way, resembles the conventional system of language in that each term signifies its own signified meaning. This is the symbolic ...  Read More
The Study and Analysis of Paradoxical Music in Nahjol Balaghah
The Study and Analysis of Paradoxical Music in Nahjol Balaghah

Nematollah Behragham; Masoumeh Shabestari

Volume 8, Issue 1 , September 2016, , Pages 39-58

https://doi.org/10.22059/jalit.2016.60175

Abstract
  In spite of the fact that paradox as an unknown literary device has largely been ignored, it has been a source of amazement and, consequently, aesthetic joy due to deviation from norm, ...  Read More
Literal and Meaning Function of Repetition in the Poem of Ahmad Matar and Omran Salahi
Literal and Meaning Function of Repetition in the Poem of Ahmad Matar and Omran Salahi

Farhad Rajabi

Volume 5, Issue 2 , March 2014, , Pages 47-68

https://doi.org/10.22059/jalit.2014.50257

Abstract
  After Weakening of Traditional Presence of Rhythm and Rhyme in Poem and Introducing of New Issues and Challenges, the Necessity of Using the Capacity and Various Tools for Indicating ...  Read More
An Explanation of the Raison d'être of the Andalusian Muwashshah
An Explanation of the Raison d'être of the Andalusian Muwashshah

Firuz Harirchi; Hussein-Ali Asghari Mati Kolaayi

Volume 1, Issue 2 , February 2010, , Pages 1-12

Abstract
  Muwashshah is a poetic form which originated in Andalus (the present-day Spain) in the third century after Hegira, and much has been said on its first composer, Andalusian origin, and ...  Read More