@article { author = {Tabatabaie, Somaye Al-sadat}, title = {Red Rose and Red Wine: Rereading some Verses of Abu Nuwas’s Divan}, journal = {Arabic Literature}, volume = {11}, number = {2}, pages = {209-229}, year = {2019}, publisher = {University of Tehran}, issn = {2251-9238}, eissn = {2676-4105}, doi = {10.22059/jalit.2019.262088.611944}, abstract = {Abbasid era is the golden time for the appearance of Iranian customs in Arabic culture and literature; the poets who were of Iranian origins or were familiar with Iranian civilization talked about Persian customs and traditions in their works. These references can lead researches to learn more about some Iranian rituals which have disappeared throughout the history. There are few literary scholars in this period who are not affected by Persian culture and customs. Abu Nuwas is among the poets who not only transformed the old Arabic poetic themes based on Iranian teachings but also mentions the old customs and traditions of his time in his divan. In five verses, he mentions drinking wine “on red rose”. In this study, the writer tries to demonstrate what he means by the phrase “on red rose” by arguing that it is a reference to “Shadgoli” (literal translation: happy with flowers) which is an Iranian tradition mingled with rose and wine and which, in Old Persian literature, is mentioned as “Golafshani.” As there is no trace of “Shadgoli” in old or contemporary Persian works, this paper primarily tries to introduce this tradition with the help of old Arabic references and then review and reread the aforementioned verses. Moreover, with the aim of clarifying the tradition of “Shadgoli,” the sanctity of red rose and the reasons behind it are discussed. The signs of holiness of red rose in Iranian religious references as well as the tales, beliefs, and folklore of pre- and post–Islam eras are surveyed. It should be noted that besides “Golafshani,” another tradition linked to “Shadgoli” is the “celebration of roses” which is mentioned in Persian works. This tradition is pointed out by Abu Rayhan Al-Biruni in the fifth century and, six centuries later, is observed by Pietro Della Valle during his trip to Isfahan and is described in his writings.}, keywords = {Abu Nuwas,Anacreontic,Red rose,Shadgoli,Golafshani}, title_fa = {گل سرخ و بادۀ گلگون؛ بازخوانی ابیاتی از دیوان أبونؤاس بر پایۀ آیین کهن شادگلی}, abstract_fa = {آن دسته از شاعران عصر عباسی که خاستگاه پارسی دارند و از آبشخور فرهنگ و تمدن ایران باستان سیراب شده­اند، در سروده‌های خود به فراخور حال، گاه آشکار و گاه در پرده، از آداب و آیین­های دیرزیست این مرزوبوم سخن گفته­اند. همین اشارت­های کم و بیش می­تواند راهگشای پژوهشگران باشد برای آشنایی بهتر و بیشتر با آیین­هایی که گذر زمان آن­ها را در فراموشخانه به زنجیر کشیده است. أبونؤاس از آن دسته شاعرانی است که افزون بر دگرگون ساختن اغراض شعری کهن عربی بر پایۀ آموزه­های ایرانی، در دیوان خود از آداب و آیین­های کهنی یاد می­کند که در روزگار وی همچنان پابرجا بوده است. او در پنج بیت از میگساری «علی الورد»، «فوق الورد» (بر گل سرخ) سخن می­گوید. این جستار در پی آن است که روشن کند مراد از باده­گساری بر گل سرخ چیست. نگارنده بر آن است که «علی الورد» اشاره­ای است به «شادگلی»؛ آیینی ایرانی و درپیوسته با گل سرخ و شراب، همان که در ادبیات کهن فارسی «گل­افشانی» خوانده شده است. از آن­جا که در آثار کهن و معاصر فارسی نشانی از «شادگلی» یافت نشد، در این نوشتار، نخست تلاش شده که به یاری منابع کهن عربی، این آیین شناسانده و سپس از رهگذر آن، ابیات مذکور بازخوانی شود.}, keywords_fa = {Abu Nuwas,Anacreontic,Red rose,Shadgoli,Golafshani}, url = {https://jalit.ut.ac.ir/article_73306.html}, eprint = {https://jalit.ut.ac.ir/article_73306_2baa0fd8891962a904970c80bc4f06b7.pdf} }