Arabic Literature - Articles in Press

Metaphor in Rhetoric Commands of the Prophet (P)

Mohammad Ibrahim Khalife Shushtari; Ali Akbar Noresideh

Volume 6, Issue 1 , November 2014, , Pages 239-260

https://doi.org/10.22059/jalit.2014.52032

Abstract

Prophet Mohammad (P) was at the peak of eloquence and rhetoric at the height of the comprehensively statement and spoke with every tribe in their language. To express the whole of word, ... Read More

Demonstratives as a face saving device in Quran and how translators deal with this phenomenon

Hasan Meqyasi; Mahdi Moqaddasi nia

Volume 6, Issue 2 , July 2015, , Pages 243-264

https://doi.org/10.22059/jalit.2015.54208

Abstract

Since language is one of the most important arenas for face saving actions, each language has its mechanisms for it. This article tries to study the use of the demonstratives as a face ... Read More

Adaptive research of the frequency of using the colores at the poems of Nima yoshij and Badr Shaker Siayyab

Tayyebeh Sayfi; Kobra Muradi

Volume 4, Issue 3 , October 2012, , Pages 273-306

https://doi.org/10.22059/jalit.2012.30328

Abstract

Nima yoshij and Badr Shaker sayyab are two contemporary renowned poet in Iran and Iraq which using the concepts of the verious colors could show their own personal and social opinion ... Read More

“A criticism to female from viewpoints of Manfalooti and Al-E-Ahmad”

Mohammad Bagher Hosseini

Volume 3, Issue 3 , February 2012, , Pages 281-306

Abstract

Benefitting higher perception and feeling than the public, poet and author usually react against abnormanities of community including political, social, economic and religious defects ... Read More

Translatibility of “Organisations and Customs, Activities, Procedures, Concepts” in Arabic to Persian Translations with Consider to Newmark Theory

fatemeh kiadarbandsari; Hamed Sedghi

Volume 9, Issue 2 , March 2018, , Pages 199-216

https://doi.org/10.22059/jalit.2018.209412.611486

Abstract

Newmark, contemporary linguist theorist, is dividing cultural elements to five categories, and he proposed 17 methods for translating of this elements. He tries to give better solutions ... Read More

Examining Components of Islamic Unity in Ahmad Moharram’s Poetry

Malek Abdi

Volume 10, Issue 1 , June 2018, , Pages 199-216

https://doi.org/10.22059/jalit.2018.125767.611279

Abstract

Islamic unity is the issues that from the very beginning of Islam were based on God’s exhilarant teachings which were of interest to Mohammad Prophet and the Infallible Imams, ... Read More

A Study in The World Mortality in Imam Ali’s (A.S) poetry (According to Corporeal Cognition in the Cognitive Semantics)

javad garjami; adel azaddel

Volume 10, Issue 2 , December 2018, , Pages 207-225

https://doi.org/10.22059/jalit.2019.229150.611672

Abstract

Undoubtedly One of the most important issues that nowadays has particular importance in cognitive linguistics as one of the important branches of linguists, is the question of how to ... Read More

A Study of the Phonetic Stylistics in the Poetry of Nizār Qabbāni Based on Two Poetry Books “Painting with Words and this Way I Write the History of Women”

Salahedin Abdi; javad mohammadzade

Volume 9, Issue 1 , December 2017, , Pages 211-230

https://doi.org/10.22059/jalit.2017.133134.611334

Abstract

the music is an essential element of poetry and is one of the most prominent techniques used by poets in the construction of their poems, from here, this research examines this element ... Read More

The study of cultural and social place of yesterday Arab woman in pictorial language layers and structures imagery

Rouhollah Sayyadi Nezhad

Volume 8, Issue 1 , September 2016, , Pages 221-240

https://doi.org/10.22059/jalit.2016.60172

Abstract

Language is the product of Cultural interaction and producing various languages different cultures manifest the world in many forms.Language and culture are connected with each other ... Read More

The subjects of resistance in the poems of Abdulkarim Karmi

Mukhtar Mujahed; Mujtaba Rahmandoost

Volume 8, Issue 2 , August 2017, , Pages 229-245

https://doi.org/10.22059/jalit.2017.62567

Abstract

A Comparative Analysis of Ahmed Sahnoun and Mohammad Taqi Bahar’s Prison Poems

Masoumeh Nemati Ghazvini; Esmail Orogzadeh

Volume 11, Issue 2 , October 2019, , Pages 231-252

https://doi.org/10.22059/jalit.2019.255293.611881

Abstract

Prison literature is one of the branches of lyric literature. The contents of prison literature, which is generally written in verse, include complaints about cruelty, bitterness of ... Read More Prison literature is one of the branches of lyric literature. The contents of prison literature, which is generally written in verse, include complaints about cruelty, bitterness of times, suffering separation from family, country, and loved ones, tightness and darkness of prison cells, prison guards’ mistreatment, and expression of innocence and disappointment with the future. Employing a descriptive-analytic approach based on library research method of gathering data, this study analyzes and compares prison poems of two contemporary Arab and Iranian poets, namely Ahmed Sahnoun and Mohammad-Taqi Bahar. In addition to religious and cultural similarities, they spent a part of their lives in prison due to political activities and wrote some prison poems. Sahnoun’scollection Hesad al-Sajn includes twenty-seven prison poems and Bahar’s Prison Report includes twenty-eight. Both of these works are considered as valuable documents of their lifetime. The findings of this comparative research, which is done in order to introduce and reveal some hidden parts of the literature of the countries of Algeria and Iran, indicate the similarity of the prison poems of these poets as they both, in terms of content, discuss common topics such as describing the atmosphere of prison, expression of innocence, complaining about time, asking for patience, and remembering friends, and, in terms of style, adopt common features including comic and symbolic language, usage of traditional poetic meters, and allusion to Koranic verses and Hadith. The main difference between the poems is their attitude toward imprisonment conditions. Bahar depicts the physical atmosphere of prison more precisely and sometimes uses vulgar words, indicating the intensity of his grief and anger and finally tries to set himself free by writing an apology. On the contrary, while expressing his innocence and grief for imprisonment, Sahnoun asks himself to have more patience and never turns to writing an apology or using vulgar language.

The Symbolic Alloys in the Poem of Mohammad al-Faitūri; (An Analytical Approach to his Resistance Poem)

Mohamadhassan Amraei

Volume 11, Issue 1 , July 2019, , Pages 240-262

https://doi.org/10.22059/jalit.2019.241819.611786

Abstract

This article investigates the meaning of the symbols of resistance in the poem of Mohammad al-faitūri (1936). The poet has used many symbols and signs for his warrior purposes. and ... Read More This article investigates the meaning of the symbols of resistance in the poem of Mohammad al-faitūri (1936). The poet has used many symbols and signs for his warrior purposes. and has sought to invade the Arab real existance of the Arab world through the Arab magnificent and brilliant past from the ravaged and repressed contemporary world. and liberate it from its long-awaited pudle life to promote and guide the Arab community through these symbolic components. From this point of view, we can say that these symbols in his poem are full of inspirational themes and deep implications of internal text, and as a result, numerous interfrence of these symbols and encodings can be presented; By investigating his poetry it can be find that he is cleverly try to link his Islamic and Arabic society heritage to the conflict in the contemporary world. This discussion begins with the preconditions that are required in accordance with the principles of modern writing. Then. they deal with different symbols of resistance and their artistic alloys in faitūri's resistance poetry; so far, we divide these symbols into five main sections: 1. Religious symbols 2. Historical symbols 3. Mystical Symbols 4. Urban and national symbols 5. Sparse symbols that can not be categorized as single title. This article with a descriptive-analytical approach aims at precede the symbols of the axis and objects with the focus on the most important properties of the symbolic elements of faitūri's poetry. Most noteworthy achievements in this article are that the poem of faitūri goes beyond the borders of Africa and his issue is not only Africa but also includes all Muslim nations. In the poem of resistance he has used religious and historical figures cities and various countries to express his revolutionary thoughts. these symbols have played an important role in provoking the spirit of revenge and in ignite the flames of resistance in the sentiments of the public. The symbols used in faitūri's poetry are often proportional to the problems that experienced by Arab countries to the extent that they are inspire by these symbols in the fight against autocratic and authoritarian regimes.

The Role of Sentence Intonation in Determination of the Meanings of the Quranic Verses

Muhammad Hassan Foadian; Alireza Farazi

Volume 7, Issue 2 , July 2016, , Pages 241-260

https://doi.org/10.22059/jalit.2016.58109

Abstract

The polysemy and lexical similarity of the linguistic structures may lead to ambiguity in the speech and latency. But since a language needs to be away from this deficiency so as to ... Read More

A Comparative Analysis of Sandbad's Myth in the poems of Khalil Havi and Badr Shakir al-Sayyab

Ali Najafi Ayuki; Elham Bujariyan

Volume 6, Issue 2 , July 2015, , Pages 265-290

https://doi.org/10.22059/jalit.2015.54210

Abstract

Befitting with various experiences of literary figures, Sandbad who is one of the significant figures of "one thousand and one night" in contemporary poetry, has gotten different images. ... Read More

Analysis of Qisi’s Style in Moshkel-o E’rāb-el-Quran (Problem of Using Diacritical Marks in Quran)

Alireza Mirza Mohammad

Volume 7, Issue 1 , September 2015, , Pages 275-300

https://doi.org/10.22059/jalit.2015.56705

Abstract

The sciences of syntax, reading, and interpretation are among the literary arts that are made by clerics for understanding the Word of God (kalāmollāh) from various viewpoints, and ... Read More

“Sonnet trend development from Age of Jahelid to Umayyad”

Nematollah Behragham

Volume 3, Issue 3 , February 2012, , Pages 307-332

Abstract

There is no doubt that fantastic whispers and melodies of love terms, which have found its way into sonnet envelope through the body of Arabic poetry and literature and drew poets’ ... Read More

The Stability Perespectives in “al-Hussein Thaeran Shahidan” by Abdolrahman Sharghawi

Hojjatollah Fesanghari

Volume 10, Issue 1 , June 2018, , Pages 217-235

https://doi.org/10.22059/jalit.2018.225179.611625

Abstract

In this research, the temporal characteristics of the resistance literature, such as noncompliance, the fight against oppression, the awakening of the dreams of conscience, the characteristics ... Read More In this research, the temporal characteristics of the resistance literature, such as noncompliance, the fight against oppression, the awakening of the dreams of conscience, the characteristics of the literature of resistance, were first briefly presented to the literature of resistance and the call of history and heritage of the past and the life of Shaghavi and his works and introduction of this play. Then, defending the oppressed, jihad and martyrdom, endurance and patience of women, and continuing the path of the martyrs with a focus on the Karbala and the insurrection of Imam Hossein have been considered. Ashura's movement is narrowly related to the resistance literature these days. Accordingly, Ashura and the uprising of Imam Hussein have always been the theme of the fiery, oppressive and frenzied poets and writers. In Arabic literature specially present literature Suuni authors and poets had been promisingly expressed by Karbala incident and Imam Hussein resurrection and have created immortal works. Abdolrahman Sharghavi is one of this Sunni literature that has been familiar with Imam Hussein’s resurrection since childhood. The purpose of Shaghavi from this play is to remember the duty and responsibility of today's human beings in relation to himself and society and to create the motivation of resistance and uprising and social awakening in his community through the purpose of clarifying the ends of Imam Hussein's uprising and highlighting and evoking the characteristics of resistance at the heart of the play demands them to be heroic against oppression and injustice and defend their rights. In the scenario "Al-hussain Saeran SHahidan" he challenges the reality of Greek’s today’s social and political problems society through this historical and worthy religious incident. This research aims at analysis of resistant elements in this scenario which is adopted by descriptive method. Findings demonstrate that SHarghavi by retelling Imam Hussein’s resurrection and Ashoura movement and its message, rise his people against cruelty and invite them to martyrdom, justice, jihad, fighting, and incubus.

The Effect of Domestic Animals on Jᾱhilid Poetry )Relying on Al-Mūfadhaliyᾱt book(

khodadad bahri; hossin mohtadi

Volume 10, Issue 2 , December 2018, , Pages 227-248

https://doi.org/10.22059/jalit.2019.126706.611286

Abstract

Literature reflects the natural condition of the habitat of every nation and the manifestation of the customs and social laws governing it; therefore, the climate, vegetation and animals, ... Read More Literature reflects the natural condition of the habitat of every nation and the manifestation of the customs and social laws governing it; therefore, the climate, vegetation and animals, the economic, political, religious, and cultural conditions of the nations, sometimes are manifested in its most detailed form in their poetry and prose. It is clear that poetry of the Jᾱhilid Age, like the poetry of any nation and time, has been influenced by the natural and social environment of that era, reflecting the various forms and dimensions of their life. In this paper, the authors of this article investigate the textbook of al-Mūfadhaliyᾱt collected by Mūfadhal Dhabi, which is one of the most important sources of poetry, and has referred to the domestic animals mentioned in it and their effects in the poetry of Jᾱhilid era. The book consists of 126 allegations which are collected from 47 poets of Jᾱhilid era includes 20 poets of the early Islamic period. The authors have sought to answer these two basic questions about how domestic animals have had an impact on poetry in the era of Jᾱhilid? What is the shape of this effect? reviewing the book, it became clear that the poetry of Jᾱhilid had repeatedly referred to domestic animals, especially those who used them in their lives, so that their poetry reflected a general outline of the way of life and livelihood of the people of that period. It was also clear that domestic animals appeared in two forms in their poems: First, in the poems the poet was reporting on the events in which the animal plays a major role, such as the poems in which the poet boasts of his forgiveness or courage; Second, in the poems the poet describes as his own animal, or by the use of the animal's other characteristics, he portrays the affairs. In addition, the present study shows that the poetry of Jᾱhilid created exquisite images in describing their animal, or presented their own images with the use of animal characteristics. Such images, which are less metaphorical and more simile, are often used by animals that have abundantly used their lives. The study also shows that - the names of the animals that the people of the Era have more connected with and their need for them is more abundant than the names of other animals in poetry poets. In addition, the role played by these animals in the life of the people, many of the artistic images have also been devised using the characteristics of these animals or their tools and accessories.

The Story Poetry of Khalil Mutrān In the Mirror of Sociological Criticism

naser ghasemi; Zeynolabedin Faramarzi

Volume 9, Issue 1 , December 2017, , Pages 231-248

https://doi.org/10.22059/jalit.2017.111418.611177

Abstract

Story poetry is a literary genre which portraits given phenomenon in the story frame. Though this genre of poetry functionally and formally was well known at historical Arabic poetry ... Read More

sociological criticism in Addi Ibn Zaid Poem

Abbas Arab; Omid Izanloo

Volume 8, Issue 1 , September 2016, , Pages 241-262

https://doi.org/10.22059/jalit.2016.60184

Abstract

The sociological criticism was established by George Lukach in the beginning of 20th century and then Lucien Goldmann and Mikhail Bakhtine have developed it. In sociological criticism ... Read More

The Prophetic Sirah of the Early Islamic Poetic Heritage Revisited

Haidar Mahallati

Volume 8, Issue 2 , August 2017, , Pages 247-266

https://doi.org/10.22059/jalit.2017.62568

Abstract

A Study of the Semantic Process in the Story of Dhul-Qarnayn in the Quran

sabereh siavashi

Volume 11, Issue 2 , October 2019, , Pages 253-272

https://doi.org/10.22059/jalit.2019.257510.611902

Abstract

Storytelling is one of the important and practical tactics employed in the Koran to convey meanings and concepts. The present article adopts discourse semio-semantics, which is considered ... Read More

A study of the Islamic Epics in the Contemporary Arabic Poetry

Qasem Mokhtari; Mozhgan Nassiri

Volume 7, Issue 2 , July 2016, , Pages 261-280

https://doi.org/10.22059/jalit.2016.58110

Abstract

Epic is the poetic narration of heroes' prowess and gallantry in quest of a great desire through a noble style, which has a symbolic structure. Arabic literature has not been familiar ... Read More

Criticue: The Pluralism and Dialect of Authenticity and Modernity in Arab Thought

Saadollah Homaiuni; Adnan Tahmasbi

Volume 11, Issue 1 , July 2019, , Pages 265-282

https://doi.org/10.22059/jalit.2019.279300.612053

Abstract

Pluralism is rooted in the long history of Arab thought, as in the Abbasid era, to the extent that its consequences were manifested in the emergence of contradictory ideas, parties ... Read More Pluralism is rooted in the long history of Arab thought, as in the Abbasid era, to the extent that its consequences were manifested in the emergence of contradictory ideas, parties and personalities engaging with one another in order to attain power by exploiting religion and ethnicity. Contractions that often did not have any rational logic beyond them but only to achieve power. In this way, we sometimes see the emergence of intellectual and sometimes reactionary thoughts. The dialectic was conducted in a narrow worldview focused on "self" and the commemoration of "me" and the "other" rejection in a closed loop. A discourse that was fueled by power struggles, religious and ethnic affiliations, the rise of tribal strife and, ultimately, civil wars. But in the contemporary era, the link between thought and civilization and science provided the basis for using the intellectual achievements of the world for Arab thought to establish a rational link between tradition and modernity in the Arab world. Just as the atmosphere of an open contemporary discourse, in line with the new needs, provided the ground for emancipation from the absurd thoughts and long-suffering ideas that had long been shadowed by the collective thought of the Arabs. Though today, this idea is facing obstacles and challenges, it is in line with modernity and its positive and negative consequences. So its manifestations can be seen in the thoughts of the intellectuals of the Arab world in many countries and undoubtedly its implications in the social sphere of the Arab world will be reflected and found, so that the Arab Spring can be considered part of the intellectual outcomes in the Arab world. The present article seeks to use the descriptive-analytical method of contemporary Arab thought and how the emancipation of such scholars as Aedounis, Mostafa Hejazi, Hassan Hanafi and others from the fatalistic self-centeredness of their era, which had destroyed all the modernist effects of the past.

Location content-affecting of Canaan & its various implications in the poetries of Izz ad-Din al-Monasera

Soghra Falahati; Mohammad Salih Sharif Askari; Mohammad Ya'qobi

Volume 6, Issue 2 , July 2015, , Pages 291-312

https://doi.org/10.22059/jalit.2015.54211

Abstract

Location, is an effective element on human life and is also a motivating element on his feelings in relation to his past and present. Location is not an end in poetry; otherwise, it ... Read More

Volume 15 (2023)

Volume 14 (2022)

Volume 13 (2021)

Volume 12 (2020)

Volume 11 (2019)

Volume 10 (2018)

Volume 9 (2017)

Volume 8 (2016)

Volume 7 (2015)

Volume 6 (2014)

Volume 5 (2013)

Volume 4 (2012)

Volume 3 (2011)

Volume 1 (2010)

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