A Stylistic Lexical Analysis of Sama fi Khozeh by Adnan al-Sayegh

Mirzaei, Vahid; Ansari, Narjes; Shaikhi, Alireza

doi:10.22059/jalit.2020.300506.612190

Document Type : Research Paper

Authors

¹ Ph.D. Candidate in Arabic Language and Literature, Imam Khomeini International University

² Associate Professor, Department of Arabic Language and Literature, Imam Khomeini International University

³ Assistant Professor, Department of Arabic Language and Literature, Imam Khomeini International University

https://doi.org/10.22059/jalit.2020.300506.612190

Abstract

The study of the vocabulary of poetry is one of the approaches used to evaluate a poetic style. Along with other layers of stylistics, namely syntax, rhetoric, and phonetics, it plays an essential role in analyzing the poets’ way of expressing themselves, and in studying a historical era or literary school. Since words form the structure of language, the study of the diction of literary texts is essential in understanding poetic style and language. Therefore, words should be considered the first tool that embodies poetic emotions and bring the poet into contact with the reader. Due to the importance of this linguistic element in literature, the present study tries to examine the linguistic layers in the poetry collection Sama fi Khozeh (Sky in a Helmet) by Adnan al-Sayegh, a contemporary Iraqi poet known for his resistance literature. The article tries to discover the connection of this layer with the content and form of the text, and the relationship of words with each other, and to determine the function of frequent poetic words. Based on the analysis conducted in this research, the words of this poetry collection have been selected in an entirely purposeful manner so that they correspond with the poet’s surroundings, and this is reflected in the title of the collection, too. The diction shows the contradiction of the spiritual (internal) and material (external) worlds through the centrality of the keywords “sky” and “helmet.” This has created a dialectic of endlessness and limitation. On the other hand, new lexical combinations have caused individuality and stylistic emphasis, and have given a different structure and a distinct style to the poems. Moreover, the concrete forms of words have been juxtaposed with their auditory and visual forms in an artistic manner.

Keywords

References

Abgoon, A. (2015). Estrangement and Nostalgia in Adnan al-Sayegh’s Poetry (M.A thesis). A. Khezri, Persian Gulf University, Faculty of Literature and Humanities. [In Persian]

Alipoor, M. (2008). On the Language of Poetry. Tehran: Ferdows Publications. [In Persian].

Allagh, F. (2009). The Concept of Poetry from the Perspectives of Arab Poets. (S. H. Seyyedi, Trans.) Mashhad: Ferdowsi University Publications. [In Persian].

Balavi, R. & Khezri, A. & Abgoon, A. (2015). The Aesthetics of the Style of Imagery Creation in Adnan al-Sayegh’s Poems. Studies on Arabic Language and Literature, 6(21). 27-48. [In Persian]

Darinavard, Z., & Balavi, R. (2018). The Poetic Camera in Adnan al-Sayegh’s Committed Poems. Afaq al-Hadarah al-Islamiyyah, 21(2). 47-67. [In Persian].

Fotouhi, M. (2010). Stylistics of Theories, Approaches and Methods. Tehran: Sokhan. [In Persian].

Jaliliyan, S. (2015). The Effects of Resistance, Nostalgia and Identity Crisis in the Poem of Iraq Poets in Exile (Ph.D. dissertation). H. Sedqi, Kharazmi University, Faculty of Literature and Humanities. [In Persian].

Al-Jayyusi, S. (2007). Trends and Movements in Modern Arabic Poetry. Beirut: Center for Arab Unity Studies. [In Arabic].

Khezri, A., & Balavi, R. (2016). Nostalgic Process in “Adnan al-Sayegh’s Poetry. New Critical Arabic Literature, 6(11), 149-173. [In Persian].

Kiani, R., Nemati, F., & Salimi. A. (2017). Privatization of Language and Deviating Automatic Language (Looking at the Poetry of Saadi Yousif). Journal of Arabic Literature Criticism, 7(2), 153-182. [In Persian].

Mahmoodi, R., & Ebn o Rasool, M. (2011). The Politic and Social issues of Iraq in the Poems of Adnan al-Sayegh. Contemporary Literature Studies. 4(16), 83-100. [In Persian].

Al-Masdi, A. (n.d.). Stylism and Style (3rd ed.). Dar al-Arabiya Book. [In Arabic].

Maslouh, S. (1993). On the Literary Text: A Statistical Stylistic Study. Humanitarian and Social Studies and Research. [In Arabic].

Mohamed Ayad, S. (1983). Language and Creativity Principles of Arabic Style. International Press in Cairo. [In Arabic].

Mohseni, A., & Kiani. R. (2011). Text Shape Defamiliarization in Contemporary Arabic Poetry (Study and Criticism). Studies on Arabic Language and Literature, 3(12), 85-110. [In Persian].

Muhammad, A. H. (2002). Semiotics of the Title in the Poetry of Abd al-Wahhab al-Bayati. Cairo: The Arab Renaissance House. [In Arabic].

Omranpour, M. (2006). The Importance of the Structural Elements and Features of the Word in the Selection of Poetic Words. Journal of Persian Language and Literature (Gohar Goya), Issue 1, 153-180. [In Persian].

Al-Saadi, A. (2006). A Study of the Style of Adnan al-Sayegh’s Poetry (M.A. thesis). Baghdad University. [In Arabic].

Al-Samadi, I O. (2001). Saadi Youssef’s Poetry: Analytical Study. Beirut: Arab Foundation. [In Arabic].

Al-Sayegh, A. (2004). Poetry Collection. Beirut: Arab Institution for Studies and Publishing. [In Arabic].

Sedqi, H., Ashkoori, A., Falahati, S., & Jalilian, S. (2015). Reflection of Elements of Resistance in the Poetry of Adnan Alsaeq. Rays of Criticism, 5(19), 41-61. [In Persian].

Al-Shabandar, G. (n.d.). A Reading in Adnan al-Sayegh’s Sky in a Helmet: War Is Just a Mortgaged Object. Retrieved from http://www.adnanalsayegh.com. [In Arabic].

Al-Sukr, H. (1988). Narrow Interior and Spacious Exterior. Zefaf, Issue 9, February 2002, Austria (Special number, Al-Sayegh in Light of Creativity and Criticism). [In Arabic].

A Stylistic Lexical Analysis of Sama fi Khozeh by Adnan al-Sayegh

References

References

Volume 13, Issue 1May 2021Pages 91-113

Volume 13, Issue 1
May 2021
Pages 91-113