Document Type : Research Paper
Authors
1 Department of Arabic Language and Literature, Faculty of Literature and Humanities, University of Tehran, Tehran, Iran
2 Department of Arabic Language Alzahra University, Tehran, Iran,
3 Arabic department, litrature faculty, alzahra university. Tehran, Iran
Abstract
The Abbasid era witnessed an efflorescence of Arabic prose, characterized by its rich diversity and stylistic versatility. Among the literary genres that flourished during this period, the maqama stands out as a testament to the artistry and intellectual prowess of Abbasid writers. This study delves into the intricate world of maqamat by employing a semiotic approach, meticulously dissecting the works of al-Hamadani and al-Hariri. Through a comparative analysis, the study reveals a fascinating interplay between the two authors, with al-Hariri emerging as a master innovator who not only challenged al-Hamadani's conventions but also built upon his predecessors' legacy. On the phonetic and lexical levels, al-Hariri exhibits adherence to al-Hamadani's stylistic approach, while on the vertical level, he demonstrates respect for al-Hamadani's groundwork. However, it is on the grammatical and rhetorical levels that al-Hariri's true originality shines through. In conclusion, the semiotic analysis unveils a captivating narrative of literary innovation and homage. While al-Hariri's works exhibit a profound appreciation for al-Hamadani's contributions, they also stand as a testament to al-Hariri's own creative genius, his ability to push the boundaries of the maqama genre, and his enduring legacy as one of the most celebrated figures in Arabic literature
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